Long before the advent of European settlement, Aboriginal artists established a long and proud tradition of art that celebrated culture, customs and the landscape. Neglected and often dismissed, it enjoyed a long overdue revival in the 80s and early 90s, and is now considered to be one of the most collectable art forms in the world today. Ranging in size from small pieces to oversize corporate commissions, all works are accompanied with a certificate of provenance that includes a photo of the artist with the artwork.

Traditional Aboriginal Art

The Aboriginal societies have been producing art for thousands of years including rock paintings, bark paintings, rock engravings, carvings, sculptures, and weaving. Aboriginal rock paintings can be found in sites across Australia including in the Kimberleys and Pilbara in Western Australia, Kakadu National Park and Uluru in the Northern Territory, Olary District in South Australia, and the Sydney rock carvings found around the city. All traditional Aboriginal art has a spiritual meaning steeped with symbolism and storytelling related to the Dreamtime.

Contemporary Aboriginal Art

Today, most Aboriginal art in Australia is produced in community groups and art centres. One of the most famous Aboriginal art centres is the Papunya community in the Western Desert, north west of Alice Springs. It’s famous for its dot paintings created by artists like Clifford Possum Tjapaltjarri and Johnny Warangkula.

Contemporary Aboriginal artists use a range of materials and techniques both traditional and modern. The materials used to produced paintings can vary from traditional ochres on bark to modern media like acrylic and oil paints on canvas.

Today Aboriginal art is internationally recognised as fine art, with art critic Robert Hughes famously describing contemporary Aboriginal art as the “last great art movement of the 20th Century”. Aboriginal art is highly sought after by art collectors around the world, with high demand coming from Europe and the United States.

Aboriginal Art at Charleston’s Fine Art Auctions

Charleston’s Fine Art Auctions often feature the work of many Aboriginal artists including the following: Minnie Pwerle, Dorothy Napangardi, Polly Ngale, Gabriella Possum, Shorty Robertson, Judy Watson, Charmaine Pwerle, Makinti Napanangka, Betty Club Mbitjana, Michael Nelson, Gloria Petyarre, Long Jack Phillipus, Ronnie Tjampitjinpa, Jeannie Pitjarra, Anna Price Petyarre, Emily Pwerle, Galya Pwerle, Barbara Weir, Ningura Napurrula, Kathleen Petyarre, Nellie Marks Nakamarra, Marlene Young, Patricia Kemarre, Willie Tjungurrayi, Charlie Tjapangarti, Abie Loy Kemarre, Thomas Tjapaltjarri, Jeannie Mills, Alison Riley Munti, Trephina Sultan, Janet Golder, Samantha Daniels, Lynette Corby, Mitjili Napurrula, Barney Campbell, Lindsay Bird, Sabrina Granites, Bombatu Napangardi, Walala Tjapaltjarri, Margaret Lewis Napangardi, Lisa Mills, Mary Pitjara, Margaret Scobie, Bessie Pitjara and others.


CHARLESTON’S IS AN OFFICIAL MEMBER OF THE AUSTRALIAN AUCTIONEERS AND VALUERS ASSOCIATION AND THE INDIGENOUS ART CODE.

Charleston’s was formed in 1997 by a group of like-minded individuals who shared a passion for art. We also had a common belief though art can be defined as “fine”, it doesn’t necessarily mean it should be elitist nor affordable only to investment bankers and multinational corporations. By creating Australia’s first and, by far, most successful traveling art auction house, we regularly bring quality works of art to Australia’s capital cities and we are the only auction house that travels to major regional centres.